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Then you accept and commit these initial levels. So initially Mix Assistant balances your mix as best it can, which is pretty good SOMETIMES, and then gives you the opportunity to adjust volume level by groups. Once it’s done you get the opportunity to correct its guesses for instrument type and category and then you have several level sliders to adjust instrument groups it provides. My guess is that for each track an Integrated LUFS level is being determined.
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You then let Mix Assistant do its thing while you play the entire song from beginning to end. Also, all tracks should be panned dead center before you start with faders at zero. Lead vocal and obligatory guitar solo are prime candidates here. Now you are required to make a decision as to what tracks get the main Focus, those that are supposed to stand out as loudest. It’s a tool which you first use as intended and then tweak to your heart’s content with the Visual Mixer which is a HUGE WIN.įirst thing you do is drop a copy of Neutron 3 (or the separate Relay plug) at the top of each track, and a copy of Visual Mixer at the top of your main Mix Bus or the 2-bus (or anywhere, really, it makes no sound itself where it is inserted). Here’s one of the big two new features of Neutron - the Mix Assistant - which I love and many online have railed against. Consistent ordering, coloring, and grouping is essential from project to project so you can quickly find things. I also group them into busses (Folder Summing Stacks in Logic). This makes it comparatively painless to meticulously go through each track and remove what is possible to remove without doing harm.īring in all the stems, order, name, and color them.
AMADEUS PRO VS LOGIC PRO FOR MAC
Quick note for Mac Users: I do this outside my DAW (Logic Pro) with an app called Amadeus Pro along with the macro program Keyboard Maestro 8.
AMADEUS PRO VS LOGIC PRO FULL
At the very least zero out everything at the very beginning and end of each track so your beginning and end aren’t full of unwanted filth. This isn’t sexy and can be extremely tedious, but it helps you get to know all the tracks and possibly spot little gems that you might want to spotlight. Got some basic tips along the way that hopefully everyone should already know and follow or creatively ignore.
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I will use one generic instrument track as an example for all so don’t worry about hearing basically the same thing for all 25 or so tracks. What is to be presented here is a look behind my process of mixing a song particularly as it relates to Neutron 3 from iZotope, which was used on each and every individual instrument track. I’m going to do things differently this time around, so listen up beginners and roll your eyes experienced mixing engineers.